I was buying a toothbrush the other day (I promise this is related to books) and I had a choice between three. Not a very extensive selection, but this was only a teeny Tesco Express, so we won’t judge their range of toothbrushes too harshly. I was immediately drawn to the fancier toothbrush of the three: the one that had such a fancy aerodynamic-looking shape that it looked like it would have flown through the air with great ease if you ever felt the urge to chuck it at someone (Why would you do that? Weirdo). The other two were own-brand, standard, boring. So I bought the fancy toothbrush, even though I am pretty certain that no matter how many extra features they add to a toothbrush, it will still give me the same quality of cleaning as any other toothbrush. And how similar the toothbrush is to an aeroplane will have even less of an effect on my teeth.
Anyway, my point. I am the same with books (see, I told you). However, I feel less guilty about buying books for the way they look than I do about toothbrushes – books can be beautiful, and toothbrushes are…toothbrushes. I promise I won’t mention toothbrushes again.
The two books that I have finished so far this month are Elizabeth is Missing by Emma Healey and The Shock of the Fall by Nathan Filer. 5 points for Ravenclaw if you remembered that from last time! In case you didn’t catch my much laboured point about the toothbrushes (oops), I bought these books because they were pretty. I was buying Christmas presents on Amazon and since I would get free postage if my order was over £10, obviously I needed to buy something else. To save money. Logic.
As I probably should have guessed by it being in the related titles section, The Shock of the Fall wasn’t exactly light-hearted either. So many details about this book aren’t revealed until way into the story, so it’s difficult to talk too much about it without spoiling it. I don’t feel giving you the blurb is too much information, though:
“I’ll tell you what happened because it will be a good way to introduce my brother. His name’s Simon. I think you’re going to like him. I really do. But in a couple of pages he’ll be dead. And he was never the same after that.”
It was enough to get me to read it. You know, after I’d already bought it because of the pretty cover…
This book was dark and bittersweet. It’s written to its readers – Matthew addresses you as he writes which I found really engaging (even more than Elizabeth is Missing, which felt more like being a stranger looking down on what was happening). Halfway through the book, the text changes to being like it was written on a typewriter, because the character writes that section on a typewriter. I love it when books do that, like when characters are given their own personal handwriting when we’re reading letters written by them (prime example: the newish editions of Harry Potter. Love.).
This book was dark and bittersweet. It’s written to its readers – Matthew addresses you as he writes which I found really engaging (even more than Elizabeth is Missing, which felt more like being a stranger looking down on what was happening). Halfway through the book, the text changes to being like it was written on a typewriter, because the character writes that section on a typewriter. I love it when books do that, like when characters are given their own personal handwriting when we’re reading letters written by them (prime example: the newish editions of Harry Potter. Love.).
In short, I’d recommend both of these books. They both begin with unexplained events that tease you just enough to want to keep reading, and the conclusions of both were worth waiting for (which doesn’t always happen…*cough* Ketchup Clouds). I’m loving reading more, and I still managed to find time to finish watching Making a Murderer! Skills.
Next up: The Hole in our Holiness by Kevin DeYoung and The Once and Future King by T.H. White.
I know you just can’t wait. But you have to. Don’t cry.
